標題
Title
澳門新詩研究軌跡
Studies of Macau Modern Chinese Poetry
作者
Author
呂志鵬
LOI Chi Pang
摘要
Abstract
澳門的新詩研究,學界過去一直將注意力集中在二十世紀八十年代以後,但近年隨着史料發掘的深入,我們不單可以看到六、七十年代,甚至可以追查到三、四十年代。雖然該時期從發表的園地來看還是較為零散,主題的深廣度亦不盡全面,但亦無阻其作為萌芽期和研究存在的明證。到八十年代澳門的新詩研究已開始漸入佳境,無論數量、質量都較前期為高,並且由過去功能性為主導以及國家話語為體系的研究結構轉移到藝術探索本身,直至九十年代,新詩研究的焦點更為多元,且十分強調辯證,無論是現代和後現代主義,抑或新生代斷代等等都無不揭示着這種特點,最後是新時代的新詩研究已更加趨向成熟,且已系統地進入到學院派的研究視野,不少的碩士和博士的論文主題亦圍繞着澳門新詩的規律和現狀進行分析。

Researchers of Macau modern Chinese poetry (new poetry) always put their focus on the poetry and poets after the 1980s, but now with the research of historical data, we can trace back to the 1960s and 70s, even the 30s and 40s – although this period was relatively fragmented the depth of topics were not comprehensive. In the 1980s, the study of Macau modern Chinese poetry in Macau began to get better, no matter the quantity and quality were higher than the previous period, and the research structure was dominated by the past functionality and the national discourse was transferred to the art exploration itself. In the 1990s, the focus of poetry research is more diverse, and it emphasizes dialectics. Both modern and postmodernism, or the new generation, all reveal this feature. The study of Macau modern Chinese poetry in the new era has become more mature as well, gaining systematic entry into the academic field of research, many master and doctoral thesis also focus on the analysis of meter and status.

關鍵詞
Keywords
澳門,詩歌,研究分類,研究空間,史料梳理
Macau, Poetry, Research classification, Research space, Research of Historical data
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